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Alike
Cooper Show
Finn M'Coul's, Weymouth (Sat. 13th April,
2002).
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Over the past few years the Finn M'Coul's public house on Westham road,
Weymouth has been slowly gaining a reputation for being an excellent and
exciting live music venue.
Being
one of the only pubs in Weymouth to cater largely for the heavy rock crowds
of the town, the crowds that gather to see the bands usually consist of
the same familiar faces and groups, along with a few others who have come
especially for the music.
However
tonight,Saturday 13th April the pub is crowded almost to bursting with
a huge variety of people that makes up the solid but sporadic fan base
of Alice Cooper and his music.
As
the pub lights dim and the band - who could be seen earlier milling around
in casual dress emerge from the pub's kitchen dressed in black leathers
and other general rock attire a wave of excitement flows through the excited
audience packed around the pub's fairly small stage.
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As
the band begin on the opening notes of Alice's '75 classic "Welcome to
my nightmare" all eyes scan the pub for a sign of the enigmatic frontman,
who has not yet taken to the stage. Next he emerges from the kitchen,
dressed all in black save the classic white ruffled shirt.
Alice
then takes a tour of the crowded pub, singing the first words of the song
into the wireless radio Mic that he carries. By either coincidence or
timing the music reaches a crescendo as Alice reaches the stage, his voice
taking on the classic Alice snarl to match the now distorted guitars and
swift drums.
The
drummer himself makes a good impression straight away, spinning his drumstick
between almost every beat and throwing and catching it and certain intervals
of the song, whilst never losing timing or rhythm.
The
song reaches a highlight as the leather clad red-haired woman emerges
from behind the crowd and proceeds to kick Alice around the stage for
seemingly no reason in classic Alice Cooper style.
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Following
a rapturous applause not normally achieved by bands after their first
song in this venue, the band perform classics "Billion Dollar Babies",
"I'm Eighteen" and "No more Mr. Nice guy" back to back, much to the delight
of Cooper fans young and old.
Following
this Alice performs lewd yet humerous acts with a blow up doll during
Alice's necrophilia anthem "Cold Ethyl". This is followed by "Go to hell"
in witch Alice prances around the stage with a pair of maracas! Following
underrated Cooper classics "Be my lover" and the more recent "Lost in
America" the band plunge into the great combo of "Steven" and "The ballad
of Dwight Fry", which sees Alice get beaten down by the woman once again
(who is now dressed as a rather stunning nurse - and this time tied up
in a blood stained straitjacket.
By
the end of the song Alice has slit the nurse's throat - dripping blood
across the stone floor - much to the surprise of the dancing punters in
the front row.
At this
point the electric chair at the back of the stage is brought forward.
The nurse then reappears and injects Alice before switching on the chair.
In a blaze of instrumental noise and rapid strobe lighting Alice jerks
and twitches painfully in the chair before staggering up and collapsing
on the floor.
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Following
a medley of "Dead Babies", "I love the dead" and "Black Widow", as well
as a nice solo from the drummer - Alice is back on his feet in time for
an accurate performance of the oldie but goodie "Halo of flies", which
sees the bass guitarist coping well with the songs unique and challenging
bass lines! In order to get all present into the mood Alice strolls up
to the front and cooly states, "Hmmm… How about poison?"
After
a cheer from the crowd and a stunning guitar solo, involving one of the
punters dropping to his knees and praying to the fret-wizardry on the
stage the band plays the promised song.
The
whole crows gathered at the front joins in with the well known chorus
of the song. Next Alice hauls his band into the twenty-first century by
pounding out Alice's recent nu-metal outbursts "Brutal Planet" and "It's
the little things".
During
the latter Alice parades what is allegedly Marilyn Manson's head around
the stage - referring to the contemporary shock-rocker as a "Faggot".
Nice.
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It's
obviously heading towards the end now as the hits come out in droves.
"Feed my Frankenstein", made famous by an appearance on "Wayne's World"
is followed by "Elected" - and the band leave the stage amidst cheering.
However
no one here is happy with the abrupt ending and after much shouting
of "Encore", "More" and "He's not going anywhere without doing School's
Out" the band return to the stage.
The
first of two encore's is "Under my wheels", but it's "School's Out",
accompanied by the nurse, looking almost as good as Alice's own daughter
Calico in a schoolgirl outfit and a monstrous load of confetti and balloons
that sends the crowd wild.
As
the last notes of the 70's teen rebel anthem pass throughout the venue
to a massive and encouraging cheer, the lights come on and the audience
knows that this really is the end.
Every
one else in the venue was fully impressed, and as for me - I bought
my T-shirt on the way out. Dean Carter.
Cheers
Dean!
See
you in the next gigs!
Rock
On!
Alike
Cooper Show!
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The
Alike Cooper band would like to welcome our
new man, Lead Guitar / Keyboard player Chris
WhahWhah Watson from the 80's UK Classic Rock band, Black Rose!
In his second gig with the Alike Cooper, Chris
has shown that he is not only an Alice Cooper
fan by heart, but also a committed and enthusiastic musician to go on
the roads with the band! Enough
said!
Watch
out fans for the solos, effects and surprises on stage...
You
have been warned!
Here is
a Marilyn
Manson fan with Chris!
Fan lost his head???
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Alike
Cooper
ends
the show...
A
Carnival or a Rock Concert?
I
guess both!
Like
Alice Cooper, Rock with Theatre!
See
you all in the next gigs!
Alike
Cooper Show!
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Long
Live Alice Cooper and his fans!

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